Showing posts with label k-pop. Show all posts
Showing posts with label k-pop. Show all posts

Friday, April 20, 2012

April 19th 『4월 19일』 - Apink [color-coded]



Notes : The color code made by me. I'm not really sure about Hayoung's and Yookyung's part on the climax so please correct me if I'm wrong. ;)


Singer : Apink (Park Chorong, Yoon Bomi, Jung Eunji, Son Naeun, Hong Yookyung, Kim Namjoo, Oh Hayoung)


Ddaseuhan bomnal mudae wiro ollatjyeo
Joshimseureon moseub ddeo oreuneyo
Geunarijyeo uri cheoeumeuro manatdon geu nal
Ajikdo itji mothae

Eoreobuteun uril utge haejun neo (baro na, ddo baro neo)
Ireohke eonjena isseojullaeyo (jikhyeo julgeyo)

My love ddo shijakiya uriga hamkke hal sigan
Ije deo boyeojulge bateun sarangboda deo
Jigeumen himdeulgo jogeum bujokhedo gwenchanha
Neoye geu ddaseuhan maeumman isseumyeon chungbunhe geugeomyeon dwe

Deullyeowatjyeo himi dwejun moksori
Gaseumsoke urin saegyeonoatjo
Ojik hana jul su itneungeon i noraebbuninde
Nomuna gomawoyo

Himdeun sigan hamkke gyeondyeowatdeon neo (baro na, ddo baro neo)
Ijeneun naega neol jikhyeo julgeyo (himi dwelgeyo)

My love ddo shijakiya uriga hamkke hal sigan
Ije deo boyeojulge bateun sarangboda deo
Jigeumen himdeulgo jogeum bujokhedo gwenchanha
Neoye geu ddaseuhan maeumman isseumyeon chungbunhe geugeomyeon dwe

Sigani jeongmal ppalli heullyeotjyeo
Beolsseo ilnyeoniran gin sigani
Geudongan motdahan maldeul ijeneun jeonhalgeyo
Gomawo ddo kamsahe ireohke gobaekhae neol saranghandago

My love ddo shijak iya uriga hamkke hal sigan
Ije deo boyeojulge bateun sarangboda deo (sarangboda deo)
Jigeumen himdeulgo jogeum bujokhedo gwenchanha
Neoye geu ddaseuhan maeumman isseumyeon chungbunhe geugeomyeon dwe (I will stay with you)

Nal bwa nae du nuneul bwa neowana hamkke hanikka
Jeoldae neol notji anha isesangi ggeutnado
Amumal eobsido genyang yeophe isseojumyeon dwe
Ddaseuhan sarang neomuna gomawo geugeomyeon dwe



Romanized Title : 4weol 19il (April 19th)
Single : -
Hangul Source : (the video above)

Sunday, March 4, 2012

K-Pop Fans, We Need to Talk.

You've become notorious for being cruel, shallow, and just plain horrible people.  I myself am a K-Pop fan, and a fair share of my friends (in the real world) are as well.  I've had it with this inexcusable behavior.  This is the reason why I prefer to call myself a fan of J-Pop over K-Pop.  You guys can really suck.  STOP IT!  This frustrated rant is brought to you by the fugly (at least on the inside. . . where it counts) T-ara fans.  [Summary: three members of Berryz Koubou as part of a SCRIPTED variety show (the host was there too) crashed a T-ara event.  They do the usual comedy-thing, but fans started yelling "Die!" + "You're not cute at all" and even calls about not ignoring them. WTF!!!!!!!!!!!!!!]  Stop being trolls who aren't actual trolls but just a bunch of sour grapes.  I don't want to be your friend and you are scaring away other fans.  Do you think I have any interest in learning more about T-ara now?  No!  I'm planning on never purchasing any music from T-ara again.  I don't want to deal with this sh*t.  I'm boycotting T-ara.  One of the reasons Hello Project started to die for me was because fans were being butt-heart that they aren't relevant anymore.  


I was pondering doing a 'State of the Project' post.  (Like the title I came up with?)  But I decided against it because I don't think I was going to bring up any new opinions, except my surprise in Berryz.  
I still find the music so-so.  However, I was surprised by how captivated I was by their performance.  They have a wonderful variety in personalities and looks.  I reminded me a bit of old Morning Musume.  I still don't think they'll make it because of the music and management.  While watching this performance I was struck with the thought that Miyabi has never been this beautiful.  Risako is still her sassy sex bomb self.  Momo has taken up Michishige's character (which is throughly entertaining).  All the other members bring their own elements into the mix.  If only I enjoyed the music, because I don't have the money to buy music I dislike.  I still love C-ute, by the way.  Morning Musume is like a foreign entity to me because I don't know 10th gen at all.  They should release more music or something so I can be more familiar.  If I find the latest concert to download I might do a review.  


The only K-Pop group where I follow their personalities, at least for girls, is Brown Eyed Girls.  The rest still seem to barbie for my taste.  I'm sorry they are all tall and too skinny [same reason why I've dumped MomoClo Z].


On the topic of not being cute.  Some male wota, whose dick doesn't seem to work right, threw a hissy fit about Amina's weight.  Well in this performance I thought she was much sexier than the two thin idols next to her.  





Here is Kyary Pamyu Pamyu's upcoming single:
The chorus sounds too repetitive, but we'll see.  She does a wonderful job with selling it.


Here is the preview for Tomochin's upcoming single:

I tend to like all of her songs, even the digital and B-sides.  So I like it but nothing too exciting.  She has proven that she can do a variety, based on how many she has released already, but it would be nice if she surprised me.  Akimoto should try something with dubstep.


Here is the full PV for Arashi's upcoming single:

Arashi is fine with low budget because they are great performers.  They are probably the funnest group to watch.  However, their singles have been sub-par in comparison to their 2010 hits.  2010 was the year I got into them, so I guess my expectations are too high.  Their latest album was good, but the one before it was better.  I just want to see more amazing singles like Troublemaker and Monster

Wednesday, February 22, 2012

Mina's Photobook Wishlist, Idols & Dubstep, Provocative Dancing, and the Masterminds Behind J-Idols

Hello ladies, I feel like I refer to readers to much as 'guys' not that I actually think the majority of followers are males but in the modern-sense guys can be used as gender neutral.  WOAH.  I'm sorry it seems I went off on a tangent sooner than expected.  I'm sorry.  [What do you ladies think of the font size?  I was thinking the old size was a bit too small and this is the next size up.]


Photobook Wishlist [The Part Where You All Discover I'm a Perv]:
The news of Acchan releasing another photobook got me super excited; I almost bought it immediately.  I'm planning on going to Japan next year so I've concluded it is best to wait and just go on a shopping splurge.  AKB48 fans have likely heard this news by now.  Acchan's PB sales tend to amazing.  I personally adore her previous releases.  On that topic, the photobooks that I currently own are the following: Myao's Shining Sky, Watarirouka Hashiritai's Akkanbe, both travel diary PBs from AKB48, the third volume of TomoCawaii, AKB48 x Bijo Saishu, Acchan, and ATSUKO.  So if you are keeping track I own two of her PBs.  One was taken in Hawaii, the other in New York City.  The concept for this release is her clumsy side, which is very true.  Plus, it was shot in Paris.  I enjoy PBs shot in different countries because you see them play around more than if they were just held up in a room.  Now moving onto my current wishlist.  [They are in no particular order.]


1. Maeda Atsuko (AKB) - Bukiyou
2. Maeda Atsuko (AKB) - Hai
3. Michishige Sayumi (Morning Musume) - La
4. Ishikawa Rika (Dream Morning Musume) - hanagocoro
5. AKB48 - AKB48 Twenty-Four Hours
6. Matsui Rena (SKE) - Kingyo
7. Asami Konno (ex Morning Musume member) - Alo-Hello!
8. Kojima Haruna (AKB) - Haruna Kojima
9. Oshima Yuko (AKB) - Yuko Oshima L.A.
10. Itano Tomomi (AKB) - TomoCawaii Vol. 2
11. Eri Kamei (ex Morning Musume) - 20
12. Fujimoto Miki (Dream Morning Musume) - Cheri
13. Abe Natsumi (Dream Morning Musume) - ecru [or whatever I love Nacchi] 


Idols and Dubstep:
There are people who love or hate dubstep, similar to the reaction received by to auto-tune.  I fell in love with dubstep thanks to the UK hit TV show Skins which is known for their music selection.  If you watch the sixth season which is currently airing you'll likely hear it.  If you have no idea what I'm talking about or what it sounds like, here is a link.  If you frequent YouTube, you've probably have noticed popular songs being remixed with dubstep.  It is basically good party/ club music.  Just like how not long after auto-tune went mainstream in the US that it went mainstream in Asia, dubstep has followed.  I've yet to see it gain the popularity it has in the United States, but that may be due to (at least in Japan) the clubscene is different when compared to the west.  


My interest in discussing this topic was due to the preview of Morning Musume's upcoming single which features auto-tuning and the use of dubstep.  Personally I've hated most instances of auto-tune by Morning Musume, and Hello Project in general.  It doesn't make Shige's voice sound better but pitchier.  It tends to ruin singles for me, like with Niigaki's lines in Only You.  I'm waiting till I see the PV for this song before laying final judgement on the use of dubstep.  At the moment it sounds a bit like they just added it in there to try to be cool.  The rest of the song sounds like their past singles.  It is only featured heavily in two segments: the beginning and presumedly in a dance section.  While other songs I've heard from the west integrate it more into the beat.   
Now K-Pop isn't excluded from the practice either.  However, I only recently noticed it.  There was one song in particular that it jumped out at me but I've forgotten which.  However, when I tried to figure out what it was I found out that it was used in Hyuna's Bubble Pop.  [face palm]  I've listened to that song so many times, why have I never noticed it!  So when I was listening to it I was like 'where is it?' because the most noticeable time is in the dance section.  [I was probably too distracted by the infamous butt-to-vagina wipe she does.]  A strong beat isn't uncommon for K-Pop, but if you notice they use a small dubstep part used as a beat in the verses.  I had to listen for it to notice.  I do like the approach because it is not too overpowering, so the song doesn't sound like a remix.  But that doesn't mean I wouldn't mind dubstep being more highlighted.  Songs like Britney Spears, Nicki Minaj, and Ke$ha's Till the World Ends I think feature it well without making the only noticeable element.  [although that song is technically a remix.]  


Provocative Dancing:
I would like to focus on the example of the rookie K-Pop group ChoColat and their recent music video, One More Day, that has been getting some heat.  I want to start off with saying that I completely understand why people are upset.  The last thing I approve of is sexualization of children.  It is unhealthy.  I am in favor of banning child beauty pageants.  What the PV Guru Guru Curtain did I thought was distasteful which was sad because I did like relatively everything else.  


After stating that little disclaimer I now want to get into the fact that I don't mind the dancing in the MV.  The youngest members are basically freshmen in high school if that helps give you an idea of their age.  I don't know about you guys but this is nothing by my freshmen standards.  At mixers, dance parties held above a local bowling alley after home football games, it was basically a mass of grinding teens.  Does everybody here know what grinding is?  [I know that it was odd for my friends in Japan.]  It is basically a lap dance standing up, or the person in front bending over.  One of my favorite things at mixers was establishing a grinding train which is about four or more people in a line grinding against each other.  Now when watching it, it looks like sex with clothes on = dry humping.  However, I usually did this with friends and I never had the intention of sleeping with any of them.  Another story to give you perspective on my outlook is that I was dropping it like it's hot since 6th grade (first year of middle school = 11).  It is just the style of dancing that is popular.  Britney Spears was 16 when Baby Hit Me One More Time was released.  


So when I look at what they did I'm not too concerned.  If they were wearing something more risque then I would have a problem, but at the moment it only looks like the dancing is suggestive.  I think the moves people are most bothered by are ones relating to the chairs.  Personally, it makes sense if you think choreography.  I tend to be unimpressed by dancing with chairs, but they did a good job of it.  Then there is the camera shots, like of their butts.  I've tried to think of a better shot that would be better to highlight the move, but I don't have any better ideas.  Plus, it is not gratuitous shots.  So, nope.  I do not think this is inappropriate.  


[I've bashed Miley Cyrus because I think the situation is different.  If you are a Disney star then your music is targeted at young children.  Britney Spears had a break after the kids TV show before debuting as a solo artist.  You can't help who your fans are, but if part of your target audience is children you must take extra responsibility.  I don't care if you all of a sudden want to act your age.  You need to handle a careful transition, preferably a break period.]


The Masterminds Behind J-Idols:
This was spurred by my discovery that I'll likely never purchase a Johnny's good ever (well maybe with the exception of a concert ticket).  Why is that?  Because the man behind JE, Johnny Kitagawa, is a pedophile.  Now this especially pisses me off consider the strict code idols themselves follow.  It also disturbs me because the media tends to avoid the topic because he basically owns all the popular males stars in Japan.  This is disappointing because when I was considering doing a comparison of the three main idol-production groups I was planning on praising them.  JE has the most long-term success not only for the groups themselves but as a organization as a whole.  They've been successful for a while.  Plus, older units like SMAP and Arashi, who is heading into their 30s, are still standing strong.



Let's compare this to Hello Project.  Their production style, PV-wise, is similar.  You tend to see a lot of low budget, formulaic music videos.  However the main difference is the success topic.  I think everyone is aware that Hello Project has plateaued.  I thought they were coming back with S/mileage but they fizzled out due to bad management on Tsunku's part.  The whole member change element did it in for Morning Musume too.  At first it worked extremely well, but now the biggest factor is no one knows the current members.  The question is what will he do with Dream Morning Musume.  The group could become like SMAP or Arashi with longterm success, but only if he tries to do more than make money.  Both Johnny and Kitagawa, to me, seem only out there for the bottom line.  



I think the topic isn't 100% true when it comes to Akimoto Yasushi.  They've been employing amazing film directors to film their PVs.  He has also used controversial subject matter.  For example, a verse in Beginner isn't performed on TV because it criticizes parents.  They've had singles on sexuality, bullying, and SKE48 just released a PV featuring homosexual behavior.  SDN48's singles consistently were in the Top 3 of the Oricon charts, but he is disbanding them.  It isn't like he isn't making money off of them.  While he hasn't made long term success for a single group.  He has had multiple periods of success.  He formed Onyanko Club in 1985.  Onyanko Club debuted at #5, but the following single hit at #2.  They had six consecutive #1 singles.  If you wonder why AKB48 songs have strong sexual undertones it is likely due to Akimoto.  Onyanko Club was known for their playful, un-preachy, songs about taboo subjects.  I think Akimoto is more of an creative guy, but the record company and likely business-minded folk contribute to their marketing.  [Fun side note for Morning Musume fans.  While he was in high school he produced episodes of Utaban.] 
Watching this interview is very enlightening for a fan.  I've always tried to defend AKB48 talent-wise, so hearing the concept makes me appreciate AKB48 more.  I do think there are members who are talented, but there is variation.  I do agree that as a whole they could not compete against western artists.  This is where I see a difference between Tsunku and Akimoto's selection of talent.  

Sunday, February 12, 2012

So How Can K-Pop Make It In The US?

I've talked a lot about why artists from Korea and Japan don't seem to make it.  I've also discussed what the new Korean wave is doing wrong.  I've made 'what I would of done' comments.  Last weekend some of my friends and I discussed what it takes to make it in the US market.  I believe there are some key factors that would be helpful for K-Pop artists to make it.

The first thing we need to get into our heads as idol fans is this is the American market.  If you make it here, you'll make it anywhere.  Because of that, big acts after conquering their own market set their sights here.  While I do think these artists want to do it, I question whether they or their management are willing to go all in.


It Takes Time to Make a Hit:
There are those songs that hit hard and fast.  Britney Spears, I assume I don't actually remember when she debut, came out with instance success.  You'll also see that with artists that have already made a name for themselves.  But, if you are new on the scene, even if you have a hit-worthy track, might have to sit awhile and wait.
 
If you don't make it right out of the gate doesn't mean you don't have what it takes.  Touring helps create a buzz.  Pumped Up Kicks was on the New Moon Soundtrack, but it didn't become a sensation until 2011. This is a problem for Asian artists because in order to promote themselves they might need to sacrifice guaranteed success back home.  We know from Rain, BoA, Akanishi Jin, Utada, Wonder Girls' first attempt, and plenty other artists that just because you come in with good producers and a record label doesn't mean a thing.  Nicki Minj first couple of singles didn't catch my attention.  I discovered her when Super Bass' music video was trending on YouTube and my friends were sharing it on Facebook.  She has been in the music scene since 2007.

The Asian Thing:
I myself have pondered if this is a problem or not.  It is obvious that Asian Americans aren't as common as Anglo-Saxon, Black, and Hispanic artists.  The Far East Movement has done pretty well with a number one hit and touring with artists like Lady GaGa.  Then I considered one of my favorite artists: M.I.A.
It is not like there is a significant Sri Lankan Tamil population in the United States.  Heck, I bet you there are more people in the states who couldn't point to it on a map.  British artists, white or black, aren't successful here.  I think it is a possible barrier to be Asian or from a foreign country, but it doesn't mean it is impossible.

Covering the Basics:
Good things to have if you want to be a hit: cool concept, good music, and talent.  Adele isn't what is generally considered beautiful but she is a huge star.  Why?  She is an amazing singer and she shows it off.  She also has amazing songs.  Ke$ha isn't the best singer, but she writes her own music and has a clear and attention-grabbing concept.  If you are able to get a hit these are the things you need for people to stick around.  If they find out they don't like any of your other music they're aren't going to wait around for long.

The two things I'm not too worried about is abilities.  2NE1 also has a good concept, but beware of being called Asian Lady GaGas.  The thing is that Americans love to hear talent, so show it off!  Why was Whitney Houston so popular?  She could sing her butt off and even after all the scandals people still wanted her to succeed because she was talented.

The Industry Differences: 
Here is where I see the majority of the problems coming from, and I think I've mentioned them.  Lady GaGa writes her own music.  Ke$ha writes her own music.  Adele writes her own music.  Katy Perry writes her own music.  Superstars in the US market tend to contribute in a major way to their music.  They may not write all of it or come up with the instrumental, but they help.  It helps provide a genuine portrayal of the artist.  [It also means that they are talented which is why people will look past poor vocals.]  I'm not saying they need to play a hand, but the fact that they are just company puppets will be said and hurt their reputation.

Other aspects of the K-Pop Idol Industry which will promote that 'fake' image is the plastic surgery and how thin the girls are.  Both of those things are MAJOR turn offs for myself.  I prefer to see SNSD wearing more clothes to hide how skinny they are because I think it is not sexy and gross.  Rumors go flying around all the time about how one Hollywood star may be anorexic.  Personally, SNSD should gain some weight in order to not be scary thin or else here comes 'they aren't real women' claims.

Ever heard of Jennifer Grey?  She was a film star in the '80s; she was in films like Ferris Bueller's Day Off and Dirty Dancing.  What do you think killed her career?  One nose job.  I don't even like her anymore and I wasn't alive back then (I did love her movies before the nose incident).  There isn't much they can do now about past operations.  The best they can do is try to down play it or if it does come out be honest about what they did do to extinguish false rumors.


I think BoA had what it took to make it but her music was only okay and mostly just dance songs.  She also ran back to Japan when sales weren't that good.  Utada had a better shot talent wise.  I really liked her music video for her debut single, but a couple of the lyrics were suspect.  Utada at least tried harder.  She did see the most success in my opinion.  [I discovered Utada during her American stint.]  Akanishi is releasing the same type of music BoA tried, so he won't go anywhere.  However, like Utada, I feel he is more dedicated than BoA.

Let's Compare this to the top female artists at the moment:

Notice how all of the major female artists are solo acts.

Friday, February 10, 2012

Mina's PV Post With A Twist

I'm a lazy person who is busy with classes and having a life, so I've kind of stopped reviewing PVs.  I know I'm horrible person.  I'm procrastinating a lot of things including an essay that is being peer-edited tomorrow.  I like voting in polls on other blogs so I thought it would add a little something.  The twist is I will share my top picks (and maybe my least favorites) and you guys can vote for your favorites.  The next time I spam you guys I will reveal the results.  So yep.


My favorites are Miryo's Dirty, IU's Last Fantasy, and ChoColat's One More Day.  My least favorites are After School's Rambling Girls, Twilight's Twilight, T-ara's Roly Poly, and Nogizaka46's Guru Guru Curtain.


Friday, February 3, 2012

Mina's Favorite JE & K-Pop Male Hotties

This is going to be a little of both of my previous posts of this genre, if I can call it that.  [AKB48 BFF/ Girlfriends and then Attractive K-Pop Women]  I faced a similar problem with my K-Pop post because I wasn't familiar enough with their personalities to determine if we would match.  I don't want to rank girls based purely on looks so I just gave my top two.  I'm going to do the same thing for everyone else except Arashi.  This is partly due to the fact that if I am familiar with a member or two I probably don't know anything about the rest of the group, or that I don't think we would get along.  Now with Arashi I will rank them by who I would want for a husband versus being a boyfriend/ friend with benefit.


~Bring On The Storm~
Hubbies:
1. Sho
2. Aiba
3. Leader 
4. MatsuJun 
5. Nino


Boy Toys:
1. MatsuJun
2. Nino
3. Sho
4. Aiba
5. Leader


Sho
He probably has one of the best bodies in the group.  He is adorable and I really like people who can make me laugh.  I also appreciate the fact that he is smart and pays attention to current events.  I like to read the newspaper myself.  He seems dependable.  The one reason why he isn't higher on the boy toy section is because my friends and I think he would be a little vanilla in the sack.

MatsuJun
He has that edgy bad boy side of him, but he also is kind of a spazz.  He makes some of the most ridiculous faces, and I think they are so much worse coming from him.  I watched a hilarious clip of him taking care of a child, he looked a bit angry.  It was cute.  I think he is likely good in bed.    

Aiba
He is the dumb blonde of the group.  He loves animals, as do I.  Plus, him speaking English is the most beautiful thing in the world.  He is a positive person and makes me laugh so it would be great to have him around.  

Nino
Here is the sex addict himself.  There has been quite a few stories of him and booty calls.  His image is of a sensitive, but a bit harsh guy.  I think he is the cutest, but his complaining would get on my nerves.

Leader
He seems the most family orientated out of the group.  He might be still living with his parents, I'm not sure.  He tells stories about playing Wii with his parents.  He is on the quite side, which would be the big problem because I don't want to be the person who talks.  I just think he would be a good dad.  


The Buffet - >


Hey! Say! Jump - Yamada Ryosuke
Runner Up: Chinen Yuri

Big Bang - TOP
Runner Up: Taeyang

Kanjani8 - Nishikido Ryo
Runner Up: Yu Yokoyama

U-Kiss - Kevin 
Runner Up: Soohyun

JYJ - Micky
Runner Up: Junsu

Super Junior - Yesung
Runner Up: Dong Hae

B1A4 - CNU
Runner Up: Sandeul

Thursday, February 2, 2012

Mina's K-Pop Hottie Picks (Girls Edition)

Since I'm still a noob when it comes to K-Pop I've yet to find a variety show to watch with English subtitles so that I can get to know the personalities of the various idols.  Therefore, what I'm going to do is  pick out who I find the most attractive of each group.  I will also provide a runner-up.  I'll remind you guys, like my wifey/BFF post this is based on my personal preferences.  I'm not saying any one member is definitely better than the rest because beauty is in the eye of the beholder.  I thought I would do something fun in between my serious posts, plus I don't have too much time to spare today.  I'm not including explanations because this is based on looks.

Girls Generation (SNSD) - Sunny
Runner Up: Taeyeon

KARA - Jung Nicole
Runner Up: Han Seung Yeon

F(x) - Sulli
Runner Up: Amber

4Minute - Jihyun
Runner Up: Jiyoon

Chocolat - Melanie
Runner Up: Juliane

2NE1 - Minzy
Runner Up: CL

Wonder Girls - Sohee
Runner Up: Yubin

T-ara - Jiyeon
Runner Up: Boram

Brown Eyed Girls - Narsha
Runner Up: Gain

Miss A - Suzy
Runner Up: Min

Nine Muses - Hyemi
Runner Up: Kyungri

SunnyHill - Seung Ah
Runner Up: Ju Bi

Tuesday, January 31, 2012

Differences Between Female Japanese and Korean Idols

I'm doing a little disclaimer right off the bat because this went from one of my normal opinion pieces as a continuation of a topic related to my previous post to something bigger than I expected.  Therefore I decided I'm going to try to make this as manageable as possible for you guys.  I know when there is a lot of text thrown at me I tend to skim or get the gist of it.  I took a lot of time writing this, so I hope people do read it all and enjoy it.  [Let me know in the comments your thoughts on it, including if you would like to see more of these.]  WARNING: the headers for each section aren't concrete so you if you want to skip parts you might want to skim at least the section before.   


~Introduction~

While I was looking for numbers and articles to determine if Kara did in fact surpass SNSD in Japan I was surprised by a couple of articles I found.  Now these weren't from K-Pop focused blogs mind you which made their arguments harder to ignore.  [I'm throwing in pictures to jazz things up and stimulate comparison.]

Before I continue further I would like to clarify that I do not think J-Pop or K-Pop is better.  (Hey, I've been listening to Lovey Dovey basically on repeat for weeks now.)  It was only in the last couple of years that I got into K-Pop, while I started my fascination with J-Pop in middle school.  This blog may look like it is only about J-Pop, but I think my loyal readers have noticed the shift.  Plus, I'm just too lazy to work on a new banner especially since I haven't downloaded photoshop onto my new computer.  (I should start thinking on who to feature because before it was just about both Hello Project and AKB48 now I like Korean and Japanese boy bands and female units.)





~'Biased' Articles Comparing K-Pop and J-Pop Critiques~  

While reading these articles I was frustrated with their narrow view of K-Pop and J-Pop.  Since I just read through them both and am sufficiently pissed off at what was said I'll do this point by point to keep things organized and easy to follow.  Don't fret, quotes will be provides as well as links to the originals.  I don't disagree with all that was stated, and I will get into the flaws of J-Pop.  The majority of the flaws stem from the idol sect of the Japanese industry, which is where I believe there writers were looking at for comparison.  [I will not even read the comment section for this post, but I noticed there is a handful.] 

Anti-Hallyu Wave Protests


The Atlantic on September 13th, 2011 posted How Korean Pop Conquered Japan.  The writer started to set the stage by discussing the protests that were spurred by the firing of Sousuke Takaoka, a famous actor and hottie.  [He is the blonde yankee from the Crows Zero films.]  Fuji TV has come under fire for airing a lot of content from Korea.  I asked my Japanese friends from Tokyo who are studying abroad at my university about K-Pop in Japan.  Neither are really interested in K-Pop but say a lot of women like it.  They brought up Fuji TV on their own in this conversation saying that it seemed like it was pushing Korean culture.  They also thought that the President might be part Korean, or something along those lines.  When I heard about these protests I thought it was a bit of an over-reaction.  I didn't really pay attention to the action which initiated the conflict.  All I was aware of was that some actor tweeted about Fuji TV and protests followed.  Now that I know who the actor is I'm a bit more supportive because he has been in a lot of films that I've enjoyed and I'm apparently an extremely shallow person.  I've also started to reconsider the backlash because when I compare people's dislike of Fox News or MSNBC for being biased but hide under the claim of being news networks.  I don't think foreign media or influences should be barred from Japan, but why is it only one network?  Plus, if people are claiming similar things that are said about Fox News maybe there is a valid argument.  I need to watch Fuji TV on a regular basis to give a final verdict, but I'm now more on the fence.  Another way of thinking about it is the Occupy Movement.  I believe a majority of people, not just in the United States, agree with the main point about money in government and wall street.  It is just we see more radical point of views or actions at the protests because how many people can take the time out of their day to protest.  I know I'm super busy.  When there were the huge recall protests in Madison I could only go to one or two on the weekend during the entire debacle.


I'm just skipping over the whole issue whether Japan rejects foreign influences or not.  I might pick it up at another time, but I want to stay a bit more on topic.  I'm also not going to discuss whether Japan is stuck and bland when it comes to Pop music.  I'm just doing a comparison of mainstream, female, pop artists from Japan and Korea. 

Sex Appeal in both Genres

"Beyond straight-up sex appeal, K-Pop groups look and act like real adults, whereas J-Pop outfits often emphasize adolescent cuteness."

WTF!  Are we talking about the idol genre or POP genre!  And even then have you followed K-Pop?  One of the examples is what happen to T-ara when entering the Japanese market.

"K-Pop unit T-ara's 2009 video for the song "Bo Peep Bo Peep" centered around a member of the girl group going to a club and hooking up with a guy in the bathroom, an elevator, and his apartment. The Japanese clip, in advance of T-ara's official Japanese debut later this month, finds the members wearing cat ears and playing un-erotically with one another: the sexuality of the original replaced with Hello-Kitty-approved cuteness."

If I ignore all other J-Pop artists and look only at Japanese idols, and even then cut out groups like SCANDAL, Fairies, Happiness, Perfume, SDN48, and other idol groups then yes we can make a general rule that Japanese pop is more cutesy and youth-orientated than Korean Pop.  BUT, we would also have to look over the fact that the T-ara was doing the cat girl thing in Korea and it was not introduced in Japan as it suggests.  We would also look over the fact that AKB48's PV which also had cat girl scenes was also sexual.  I've heard both T-ara and AKB48's videos being criticized by foreigners like myself for being too sexual.  Even if we did ignore T-ara's PV versus MV issue, they were promoted pretty much the same.  Their live performances are pretty much identical.  The key differences are that they wear cat ears more frequently in Japan and the clothing tends to be more demure.  However, why is having hyper-sexual presentation a good thing?  Japan does it too.  I bashed SDN48 for it.  It is one of the turn offs to Koda Kumi I have.  I'm saying it is not uncommon for girl groups to be cutesy in Korea, nor is it for them to be sexy in Japan.  It is just more common to see idol groups sporting school uniforms and focusing more on romance than sex.  However the subject of sex is not taboo when in relation to youth and uniforms.  The picture is the cover of a single released in 1985 by an idol group.  [Here is a hint: the song was likely written by someone who had to write the lyrics to about 200 songs this last year.]  The song talks about a girl with a bad reputation but is actually a virgin.  She wants to have sex, but she is fighting off her boyfriend or potential sex partner saying she doesn't want to do it at the moment.  I didn't read all the lyrics so it is either she wants to wait for a good moment to do it or she doesn't like the location.  The whole song is about sex.  (AKB48's Virgin Love is similar but focuses more on reputation and seeing virginity in a certain light.  AKB48 also released a single about wanting to experience sex and be an adult but their uniform symbolizing society gets in the way.)

Sexuality Myth Examples




"Cool and Sexy" / "Innocent and Happy" Myth Examples:






Being Adult vs. Youthful
Let's consider the fact that they spend a lot of time in their school uniforms so it is a symbol of their youth.  I don't think it is absurd to include a major symbol when on the subject.  Just how I would not consider it odd for Americans to have a song which is set or includes school in some manner.  I would think it odd if it wasn't used at all.  K-Pop groups, like T-ara, have worn school uniforms.  Western pop have also included it. . . Britney Spears *cough *cough.

Does Perfume not seem 'real adult' enough for you?  We should also take into perspective what is the age of the members.  Now, SDN48 is planning on doing a single in school uniforms.  I would consider that a valid example because the members are adults.  However, idol groups whom the majority of their members are still in high school or below I consider have a legitimate reason for wearing uniforms.

"The most popular Japanese act of the moment, AKB48, is a collection of 48 singers usually wearing high-school uniforms while behaving like 15-year-old girls."
They are portraying their age.  It is the same thing as 16-year-old Britney Spears wearing a uniform and dancing around a school building singing about young love.  The main controversy was that she showed off her midriff.  There are members of AKB48 who have graduated from high school, so that is where the clarification of 'majority' comes from.  One way they've gotten around it is that Shinoda Mariko, who is in her 20s, portrays a teacher.  The problem with AKB48 is that part of their main concept is that their uniforms are based on school uniforms.  If it makes you feel better they do have a graduation age, but then I've criticized that because it means the girls have a shelf-life.  The reason AKB48 has the school uniforms is because they are suppose to reflect a classroom.  The majority of members are 15 and older, but a lot of them joined at a younger age.  For example, Manami Oku (who has graduated to focus on her studies) joined when she was 10.  Are you suggesting that you would like members under the age of 18, as young as 10, to act, dress, dance, and sing like an adult?  I think a lot of people would feel uncomfortable with watching Manami Oku trying to hook up with guys at a club.  A more relevant example is Matsui Jurina of SKE48 who is 14.  The best way to handle a group with a variety of ages is to round down instead of up so no one accuses you of child pornography.  [I used AKB48 as my main Japanese example because they are the most often picked as a comparison in these types of argument.]


K-Pop also has groups that span a range of ages, like Chocolat.  Chocolat has two members who are 14 then members who are 18, 20, and 22.  They have yet to do a music video like Hyuna or Koda Kumi because they have 14-year olds.  You will also notice them dressing their age, and even the older members dressed a bit younger.  I've read comments from people who think they dance to provocatively considering there are members who are so young.  Personally I get the point because you don't want to sexualize children or force girls who want to become pop-stars feel like they have to be that way to make it.  The other side of me says if those girls are okay with it, so am I.  I danced, and so did my friends, quite provocatively as early as 6th grade (which is middle school).  My main point is that the differences between female pop artists in Japan and Korea aren't really true.  It is kind of like a gut-reaction myth.  On Kids React one of them said SNSD was demure!  When I wasn't into K-Pop I did think that they were just more sexy than J-Pop IDOLS.  I don't think it is anyway true for the J-Pop genre as a whole.

Second Article Critique 
The Diplomat's article, K-Pop versus J-Pop (Nakagawa, 2011), had some similar statements, which I disagreed with.  It is mainly an interview.  Most of the points I made above overlap with my issues with the following opinion.  [I did not read the linked article in the quote.]



"There’s been a big jump in the popularity . . . in Japan over the past year—a trend that’s being attributed to ‘cooler,’ more talented (thanks to a more vigorous training regiment) and more individualistic Korean female pop groups, especially compared to their Japanese counterparts."


I suggest you read it yourself because I could hardly sit through the whole thing.  The points that I can get through, summed up, is that K-Pop groups show real women, J-Pop groups are fake, old-fashioned, and sexist.  K-Pop groups are independent and feisty.  He does say towards the end that the girls themselves are similar because both are controlled by management, that I will get to later.  I do agree that when it comes to solo artists there hasn't been anyone new that challenges that level that is Hamasaki Ayumi, but I don't think K-Pop can fill that void either.  Hamasaki Ayumi wrote and has a major hand in her music.  Again, I'm not going to go any further on the subject about music style on a broad scale in J-Pop.  

~Manufacturing Differences~  
Hamasaki Ayumi started out as a rapper.
I'm a bigger noob when it comes to K-Pop than J-Pop.  I feel like the issue of manufacturing has more to do with the differences between the two.  If you didn't know, Korean idol groups train for years before debuting.  The formation of the group is the same.  Agencies, producers, or record labels audition new talent and form them into a group.  Japanese idols do not spend years training as a group, not that there isn't any.  Both have management watching what they say and do.  BOTH in some way present an ideal for women.  Neither tend to play a major role in writing the music.  Feel free to correct me if I'm wrong.  I did hear something about U-Kiss member writing a line for a song, but that is a boy band.  One difference in training is that many idol groups start off as indie artists until they are popular enough to go major.  As far as I know Korean units don't have to go through that process.  My Japanese friends said the major reason why people like the K-Pop groups in Japan is because they are more professional.  [Not that they were more cool or real.] 


The issue of individuality is tricky and is sensitive.  I do think AKB48 is more individualistic and a better role model for women.  This is due to the lack of polish and wide range in members.  We see more members with different heights and weights.  I also think because there are so many they do get a little more freedom when it comes to presentation.  For example, Takahashi Minami doesn't wear bikinis.  She likes to keep things covered.  I'm not saying there isn't variety in members in K-Pop.  From what I've seen there is more consistency when it comes to weight and higher standards for looks.  For example, my Japanese friends don't think Sashihara Rino is super pretty.  Another example is when watching AKB48 the first thing I noticed was a mesh of looks but when I watched SNSD (Sunny is a hottie) I thought they were all thin and had long legs.


I do like the fact that K-Pop is more professional.  I personally wish they spent more time sending Japanese idols to training lessons in singing and dancing.  There are Japanese idols who are already good enough like Tokyo Girls Style and some Hello Project groups, other times there is a range in terms of members.  I think K-Pop groups have a range as well.  However, I'm not saying that their way is necessarily better.  Western music tends not to work like that.  It reflects the indie to major process that Japan has.  I think it helps consumers trust the artists more because you can follow them from the very beginning plus there is less opportunity for the management to 'tamper.'  
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